In recent projects, I’ve created performative installations using field recordings, live sound, and ephemeral materials to engage with multispecies ecologies and collective memory. I’m drawn to processes that are slow and tactile—spaces where breath, vibration, and pause can hold ecological histories and speculative futures at once. Many of these works take shape in pedagogical or public settings, where participation and shared presence become part of the composition.

With roots in early childhood education, curriculum research, graphic design, and sound-based art, I’ve worked across classrooms, galleries, and grassroots projects—from teaching in Ecuador to movement performance in harvested fields in Canada.

I’m currently affiliated with Western University, where I contribute to interdisciplinary research at the intersection of arts, education, and environmental thought.